Pick It Up: The Tiger’s Wife

Pick It Up is a monthly series of book recommendations to help you with what to read next!

This month The Book Cafe recommends The Tiger’s Wife by Tea Obreht.

Tea Obreht sets The Tiger’s Wife in a fictional place but one that is reminiscent of former Yugoslavia. She weaves in magic realism, folklore with the everyday human task of survival.

The protagonist, Natalia and her childhood friend, Zora are headed to execute a good will mission to inoculate children at the Brejevina Orphanage.

On the way there, she receives a pager from her grandmother. On calling her, Natalia finds out that her grandpa had died in a clinic in a town called Zdrevkov.

While she cannot cancel her goodwill mission, she cannot help wonder what her grandpa was doing far away from home in a remote town. She begins to dwell on the past, recollecting her grandpa’s stories about the tiger’s wife and the deathless man.

The narrative then winds its way around two timelines: one where her grandfather is growing up in his home village of Galina and speaks of his encounters with a strange female who is rumoured to be the tiger’s wife and his stranger encounters with the deathless man; the other in the present where Natalia is straddling between her past and her present while inoculating children and also trying to convince the labourers in the farms to send their sick children to the hospital.

The novel explores pasts within pasts and explores notions of folklore and how old wives tales develop among communities along with changing boundaries and nations.

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Blurb Appreciation Reviews: The Patiala Quartet

Blurb Appreciation Reviews presents its third review!

The blurb at the back of Neel Kamal Puri’s novel, The Patiala Quartet urged me to buy the novel. Of course, it helped that the book was on sale. But nonetheless, it aided me in understanding what the book is about rather than irrelevant praises that do not allow one to know what the story is about!

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So lets see the blurb, shall we?

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Guest Post: Purple Hibiscus

About the Reviewer:

Linda Shaji-Pauline is a feminist with a love for post-colonial literature. When she’s not at work, her motto is, “will walk for food.” You can often find her walking around all over the city in search of that new restaurant. She is still undecided if she loves music or books more but agrees that together they make the best combination. Together they make her life in finance very tolerable.

I first read Purple Hibiscus during my undergraduate studies as part of a reading list. This was the first time we were introduced to English literature from the African continent. With the deadline arriving for a book report, I desperately tried searching for a cheap book out of the list that was available in the local bookstore. I figured that I would use the remaining change for a snack or so, not realising that this would turn out to be one of my favourite reads! I believe I’ve read it four times at least.

So with such a biased stance, I believe I’m all set to review Purple Hibiscus yet again.

Adichie has mentioned before that she’s been influenced by one of Nigeria’s greatest post-colonial authors – Chinua Achebe. This strikes the reader the minute we read the first line, “Things started to fall apart……”

So what is the novel about?

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Quick Reviews: Funny Boy

Funny Boy: A Novel in Six Stories by Shyam Selvadurai is just that!
It is a collection of short stories that are interlinked with each other and that is what ironically makes it a novel. The six short stories seem episodic but that is deceptive and it is actually quite a fun exercise to connect the dots in each vignette as if you are putting together a jigsaw puzzle.

Keep on Reading!

Musically Yours: The Last Song Of Dusk

The Last Song Of Dusk written by Siddharth Dhanvant Sanghvi is a beautifully conjured novel, a moving tale of singular people and their extraordinary lives.

Taken from scholarswithoutborders.in

Taken from scholarswithoutborders.in

The novel begins in the early 1900s’ with Anuradha’s story. She is going from her hometown Udaipur to Mumbai to meet Vardhaman Gandharva, a potential marriage partner. Just when it seems that things may not work out, Vardhaman openly admits his love for her and they predictably get married. Their love blossoms splendidly like a lovely flower. However, later, an unforeseen tragedy strikes them both tearing them asunder and changing Vardhaman irrevocably. Anuradha goes back to Udaipur where she dabbles and masters over the music and the wondrous songs that are an integral part of her soul. In the course of this stay, she meets other extraordinary people like Nandini who is an unusual artist and an even unusual woman having her own tragic tale.

Will Anuradha and Vardhaman overcome the tragedy that ripped them apart? Will their love blossom fruitfully once again or will it be lost forever?

The Last Song of Dusk abounds with comparisons which increases the depth of the emotions, thoughts, situation etc. and helps in understanding it better. The novel is replete with romanticized descriptions. Sanghvi has a very flowery style of writing. He infuses great grandeur and oodles of opulence not only in the story’s setting but also in the copious descriptions. Everything in the novel is exquisite. There is great abundance whether it is the character’s emotions, the royal settings of Udaipur or British city of Bombay or just the physical beauty of a human. Everything is made out to be insanely beautiful and he uses exquisite words and expressions to convey that beauty to the reader. For eg, “pashmina of exquisite remembrances” (pg. 80). There are also instances of magic realism suffused in the story. Sanghvi has also made music an important part of the story. It is manifested literally in the many songs, symphonies and musical instruments that are described. There is also a certain kind of vibrant and even melancholic musicality in Sanghvi’s writing that overwhelms you.

There are certain sexist stereotypes that the books has-like Anuradha’a need for marriage, the tiffs between her and her mother-in-law etc. Granted that the book is set in the 1900s’ where woman were treated as inferior but if Anuradha can be bold enough to leave her husband’s house, Sanghvi should have been bold enough to write something more than the overemphasized importance of marriage in a woman’s life.

Leaving that one negative point aside, The Last Song Of Dusk is undoubtedly a marvelous debut that spins together a lavish, grand love story that is bound to charm any reader. It is not the usual tale of love and sorrow, of man and a woman being in love, being happy, having troubles and reconciling them. It is much more as it infuses a portrayal of different sides and aspects of that one ubiquitous emotion called love. The novel reflects and gradually reveals layers and layers of that emotion between Anuradha and Vardhaman and other characters too like their son-Shloka or Nandini’s idea of love and safety etc. The reader, if attentive enough, can easily pick on these ideas, learn that love can have two sides just like anything else and know that it can teach us all one lesson or two.

Its a poignant love story that depends on the stark emotions for its narration; its beauty, its invulnerability, its vulnerability, its magic, its pain and countless other things. It is painfully beautiful, musical and aptly touches the right chord in the reader’s heart.

The Last Song Of Dusk is one story that will be in the reader’s heart long after its been perused.