The Forty Rules of Love

Wait..Hold up…Spoilers ahead.

The Forty Rules of Love by Elif Shafak got rave reviews which made me pick it up. However, it has now become one of those books for me that everyone likes but I mildly dislike.

The story is about a woman named Ella Rubinstein living in Northampton, Massachusetts in the USA. She seems to have it all: a loving husband, three loving children and a good house. Yet she is at the brink where she is rethinking about her life. There seems to be some undercurrent of monotony and dislike in her marriage with her husband, David. Ella seems to be questioning her life choices and going through a mid life crisis at she turns the dreaded age of forty. This constant doubting on their marriage and her life led her to seek jobs and she landed with one in a literary agency which had assigned her to read and do a report on an obscure book, Sweet Blasphemy by an even obscure author, A.Z. Zahara.

As the story foreshadows,

“Little did she know that this was going to be not just any book, but the book that changed her life. In the time she was reading it, her life would be rewritten.”

So The Forty Rules of Love begins with a prologue about Ella and then has another one which is that of the novel, Sweet Blasphemy.

So what is Sweet Blasphemy about that it changed her life?

Continue reading

The Crazed

The Crazed by Ha Jin is told from the point of view of the student, Jian, who is under the guidance of Mr. Yang. But the novel starts with Mr Yang having suffered from a stroke and in the hospital in 1989.

WARNING: Spoilers Ahead! 

Mr. Yang’s crazy outbursts while in hospital give a glimpse into his relationship with his student, Jian, as well as his past: affairs, his ill treatment under the Mao regime, his unconscious desire to have been a well respected official along with being a scholar among other things.

What is so interesting about The Crazed are the several literary references that pepper the novel, particularly Mr Yang’s lectures even in that delirious state about random literary subjects such as why Western poets use a persona to speak in their poems whereas the Chinese poets speak as themselves in the poems or his references to poets such as Goethe, Dante and several Tang poets like Tu Fu or Li Po.

It was astonishing how in that state he goes from “a political parrot” as Jian calls him, spewing Communist jingles to a lecture spewing professor.

Continue reading